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(3 in) 1

BETWEEN THE WORLD AND ME – TA-NEHISI COATES

A BRIEF HISTORY OF BLACK FOLKS AND SIDEWALKS – STACIA BROWN

TALKING IN NEW ORLEANS IN THE AGE OF TRUMP – MAURICE RUFFIN

All offer familiar points of reference to allow the reader a deeper understanding of the black experience in America

THE BODY

THE GROUND

THE SAYING

Arguably aspects without much meaning in-and-of themselves, given meaning when placed in their historical contexts

Ta-Nehisi Coates discusses the fragility of the black body

a black life can be taken without reason or question

In using the black body as a point of beginning and ending, he shows the reader a world they either live in or don’t; one where they are either persecuted based on their race or not: it’s black and white, plain and simple

“it does not matter if the agent of those forces is white or black - what matters is our condition, what matters is the system that makes your body breakable” (18)

“So you must wake up every morning, knowing that no promise is unbreakable, least of all the promise of waking up” (71)

 

Waking up is hard to do,

Especially as a person of color

In America

Microaggressions hit you

Left and

Right

Fast as the cars

Speeding

To make that

Green

Light

But

Being

Black

Being

Black

In America

Turns

Waking up

Into a question

Makes it

An uncertainty

It turns

Justice

For a

Black life

Lost

Into an

Improbability

 

A BRIEF HISTORY OF TIME – STEPHEN HAWKING

A BRIEF HISTORY OF BLACK FOLKS AND SIDEWALKS- STACIA BROWN

STACIA BROWN – A BRIEF HISTORY OF BLACK FOLKS AND SIDEWALKS

STEPHEN HAWKING – A BRIEF HISTORY OF TIME

A BRIEF HISTORY OF BLACK FOLKS AND SIDEWALKS- STACIA BROWN

A BRIEF HISTORY OF TIME – STEPHEN HAWKI

PHEN HAWKING – A BRIEF HISTORY OF TIME

A BRIEF HISTORY OF TIME – STEPHE

AWKING – A BRIEF HISTORY OF TIME

A BRIEF HISTORY OF TIM

IEF HISTORY OF TIME

A BRIEF HIST

F HIST

HI

The all-too-familiar sidewalk gets a deeper meaning, in Stacia Brown’s hands

A sight of life,

A sight of death,

A sight of grievance

Is what

The concrete

Becomes

A flattened

Tombstone

Where

Splattered

Blood

Demonstrates

Lives lost

Lives

That are

Thereafter

Commemorated

With

Flowers

And

Stuffed animals

From

Strangers

As much as

Loved ones

Walking on them

Shouldn’t be the same

Can’t be

Won’t be

 
 

Like in any other city or town, New Orleans has sayings.

These sayings, unlike those of any other city or town, are ones that display and transmit love.

We making

How ya mama and ‘nem?

Baby

Ruffin calls it “speech as disarmament”

Much how the motifs within these three works act as ‘language as disarmament’,

Enlightening those in the dark

Vindicating/validating those plagued by that darkness

BODYGROUNDSAYINGBODYGROUNDSAYINGBODYGROUNDS

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